Amos Gitai Collection
Amos Gitai's was born in Haifa to Munio Weinraub, an architect formed at the pre-war German Bauhaus art school, and to Efratia Margalit, an intellectual, storyteller and a teacher. Today Gitai divides his time today between Paris and Haifa. In 1973, Gitai had to interrupt his architecture studies as he was called up to reserve service as part of a helicopter rescue crew. While serving, he shot 8mm footage of the fighting, claiming this served as his entry into the world of film making. His work was presented in several major retrospectives in Pompidou Center Paris, the Museum of Modern Art (MoMA) New York, Lincoln Center New York, and the British Film Institute London. To date Amos Gitai has created over 90 works of art throughout 38 years. Between 1999 and 2017 ten of his films were entered in the Cannes Film Festival for the Palme d'Or as well as The Venice International Film Festival for the Golden Lion award.
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Gitai pays homage to Albert Camus, while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.
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A film-diary shot in the occupied territories before and during the invasion of Lebanon. Trailer
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Twenty years after his first "Wadi," Amos Gitai returns for the third time to Wadi Rushmia.
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Ten years after his first Wadi, Amos Gitai takes up again the tale of the inhabitants of Wadi Rushmia.
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The first part of a trilogy about Wadi, a valley near Haifa where Jews and Arabs live in a state of fragile co-existence.
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Amos Gitai completes the trilogy, exploring the relationships between the house's inhabitants, past and present, Israelis and Palestinians.
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House enables each of the voices in it to go its own way in the face of the power and complexity of the events unfolding before it.
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A film exposing and exploring the multinational economy around us